Software engineer building creative tools, audio software, and games.
Selected work
An experimental 3D digital audio workstation. Audio lives in space instead of on a flat timeline, so making music feels more like playing a videogame. It has five modes (arranger, sequencer, mixer, sampler, runner) for composing. Runs on Shoko, a custom 3D-aware sound engine built on top of miniaudio. Out now in closed beta.
A self-hosted music streaming server for my own library. It scans files for metadata and cover art, streams to any of my devices over Tailscale, and adds discovery on top: a 3D genre web, listening history, similar-artist suggestions from Last.fm, and on-demand downloads.
View source on GitHub →A Spotlight replacement for macOS with fuzzy search, voice commands, app control, file creation, and suggestions that learn from your usage history.
Small reinforcement-learning and evolutionary-algorithm experiments: a Q-learning agent that learns to escape a room, and neural nets trained by evolution instead of gradient descent on the Titanic dataset.
Other games
A surreal dream-job simulator, and my first full-length game. You manage your "entropy" through everyday decisions while dreams and work start to blur together.
A Mario Kart spoof starring Ice Spice, with a title screen, a character select full of alter egos, a race countdown, and kart racing against CPU drivers.
About
I'm a software engineer who likes working close to the metal on things people can see and hear: real-time audio, 3D interfaces, game systems, and desktop tools.
Right now I'm most interested in intelligent NPCs in games, intuitive 3D tools for making music, and interfaces that feel like videogames.
Contact